{"id":6565,"date":"2017-03-13T11:30:07","date_gmt":"2017-03-13T15:30:07","guid":{"rendered":"https:\/\/www.highpoint.edu\/library\/?p=6565"},"modified":"2022-07-27T11:34:16","modified_gmt":"2022-07-27T15:34:16","slug":"smith-librarys-classic-rock-vinyl-lp-collection","status":"publish","type":"post","link":"https:\/\/www.highpoint.edu\/library\/2017\/03\/13\/smith-librarys-classic-rock-vinyl-lp-collection\/","title":{"rendered":"Smith Library\u2019s Classic Rock Vinyl LP Collection"},"content":{"rendered":"

When considering an examination of classic rock and roll albums, one must take into account the primary listening medium that was used at the time. The LP (long player) format was the most used for many years. Beginning roughly in the late 1880\u2019s, phonographic discs (made from shellac and later polyvinyl chloride) were used to transmit recorded music.<\/p>\n

In the late 20th century, other mediums began to supplant vinyl (as it came to be called). Cassettes, digital audio tapes, CDs and eventually streaming services, became cheaper and more popular. However, vinyl has always retained a devoted following among those who value sound quality. Many audiophiles believe that music heard from vinyl, is richer, warmer and more accurately captures the essence of the original recording.<\/p>\n

Smith Library has a robust collection of vinyl LPs, covering many different genres including opera, classical, folk, country, easy listening, pop and rock. This week\u2019s blog post will cover some of the classic rock albums that are available at Smith Library. Each entry will include a brief overview of the work, its relative merits in the genre and the location information in Smith Library. The albums are listed in order of release date.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

The Doors<\/em><\/h4>\n

The Doors<\/h4>\n

Released Jan. 1967<\/h4>\n

The Doors first album, The Doors, <\/em>came during a time when groups like the Beatles, the Who and the Rolling Stones continued their domination of the music charts as well as the appreciation of the critics. The Doors joined new groups such The Velvet Underground and Jethro Tull in introducing new and fresh sounds to rock music. From the straight ahead rock of \u201cBreak on Through (To the Other Side)\u201d to the hypnotic and eerie \u201cThe End\u201d, the album presents a diverse set of songs that nonetheless maintains a cohesive sound. This album also contains the song that propelled the Doors to superstardom, \u201cLight My Fire\u201d. The Doors<\/em> reflected a new California sound, psychedelic but still featuring a driving rock feel.<\/p>\n

Location<\/strong>: Smith Library 1st Floor – Media Library – LP Collection \/ Doors Elektra EKS74007<\/u><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Tommy<\/em><\/h4>\n

The Who<\/h4>\n

Released May 1969<\/h4>\n

Tommy<\/em> is the Who\u2019s fourth album and is credited as being the first rock opera. What\u2019s a rock opera? In this case, it is the double album length story of a deaf, dumb and blind kid that \u201cplays a mean pinball\u201d. This was one of the most successful rock albums, commercially and critically, to emerge from the glory days of rock and roll. Supported by the singles, \u201cPinball Wizard\u201d and \u201cI\u2019m Free\u201d, the album sold enough to be turned into a movie. The album features many different music styles that are truly enhanced when listening to on vinyl.<\/p>\n

Location<\/strong>: Smith Library 1st Floor – Media Library – LP Collection \/ Who Decca DXSW7205<\/u><\/p>\n

 <\/p>\n

\"\"<\/p>\n

D\u00e9j\u00e0 Vu<\/em><\/h4>\n

Crosby, Stills, Nash and Young<\/h4>\n

Released March 1970<\/h4>\n

When Neil Young joined Crosby, Stills and Nash, expectations were very high for the resulting album. D\u00e9j\u00e0 vu<\/em> fulfilled those expectations and then some. The group crafted folk-based soft rock highlighted by the complex harmonies provided by all four singers. And as each member was also a notable song writer, the selection of songs for the album resulted in a batch of unusually strong numbers. The album generated three Top 40 singles: “Woodstock”, “Teach Your Children”, and “Our House”.<\/p>\n

Location<\/strong>: Smith Library 1st Floor – Media Library – LP Collection \/ Crosby D Atlantic SD7200<\/u><\/p>\n

 <\/p>\n

\"\"<\/em><\/p>\n

LA Woman<\/em><\/h4>\n

The Doors<\/h4>\n

Released in April 1971<\/h4>\n

For all intents and purposes, this is the last album by the Doors (three subsequent albums feature guest vocalists or previously recorded vocals of Morrison). It is also one of their strongest. The album contains pure rock (\u201cL.A. Woman\u201d), pop (\u201cLove Her Madly\u201d), slow blues (\u201cCars Hiss by My Window\u201d, \u201cCrawling King Snake\u201d), psychedelic drone (\u201cL\u2019America\u201d), rehab rock (\u201cHyacinth House\u201d), a weird Morrison song (\u201cWASP (Texas Radio and the Big Beat)” and the long hypnotic drone of \u201cRiders on the Storm\u201d. Yet, the album flows effortlessly, presenting a unified whole and perhaps the most satisfying release in the Doors discography.<\/p>\n

Location<\/strong>: Smith Library 1st Floor – Media Library – LP Collection \/ Doors Elektra EKS75011<\/u><\/p>\n

 <\/p>\n

\"\"<\/em><\/p>\n

Fleetwood Mac<\/em><\/h4>\n

Fleetwood Mac<\/h4>\n

Released in Feb. 1975<\/h4>\n

In 1975, Fleetwood Mac was a group that had already been around for eight years. Starting as a heavily blues-influenced band from England by 1974, the group had lost several members and went to California seeking a fresh infusion of talent. It was there that Mick Fleetwood met Lindsey Buckingham and Stevie Nicks, a songwriting\/singing couple. Fleetwood offered the duo spots in the band and rest is history. Fleetwood Mac <\/em>is the first album to reflect the new direction and became the foundation for their next album, the multi-platinum Rumors<\/em>. Notable songs include \u201cRhiannon\u201d and \u201cLandslide,\u201d both Stevie Nicks numbers.<\/p>\n

Location<\/strong>: Smith Library 1st Floor – Media Library – LP Collection \/ Fleetw M Warner MS2225<\/u><\/p>\n

 <\/p>\n

\"\"<\/em><\/p>\n

Minstrel in The Gallery<\/em><\/h4>\n

Jethro Tull<\/h4>\n

Released in Sept. 1975<\/h4>\n

Jethro Tull, an English band led by Ian Anderson, can be an acquired taste. Heavy on orchestration, strings and, of course, Anderson\u2019s ever-present flute, the band often comes across as overly theatric and a bit simplistic, lyrics-wise. The strength of the band is in the highly skilled musicianship of the players as well as the catchy song writing. This album does not contain any of Tull\u2019s more well-known songs, but still provides a good overview of the band\u2019s sound, especially when heard on vinyl.<\/p>\n

Location<\/strong>: Smith Library 1st Floor – Media Library – LP Collection \/ Jethro T Chrysali CHR1082<\/u><\/p>\n

 <\/p>\n

\"\"Tusk<\/em><\/h4>\n

Fleetwood Mac<\/h4>\n

Released in Oct. 1979<\/h4>\n

Tusk<\/em> had a hard act to follow. Fleetwood Mac\u2019s Rumors<\/em>, sold millions of copies and was critically acclaimed. It can be argued that no album could have possibly met, let alone surpassed the expectations everyone had for the next album. And the reaction to Tusk<\/em> was just about what one could expect. It is probably a better album than the initial reviews proclaimed, but still it was inferior to Rumors. <\/em>Lindsey Buckingham basically took over the creative direction of the band and insisted on creating a double album that contained not only typical Fleetwood Mac fare but also some more experimental songs, influenced in part, by the burgeoning new wave\/post punk scene. The result was an interesting double album that could probably have been an excellent single album, one that is still well worth a listen.<\/p>\n

Location<\/strong>: Smith Library 1st Floor – Media Library – LP Collection \/ Fleetw M Warner 2HS3350<\/u><\/p>\n

 <\/p>\n

\"\"<\/em><\/p>\n

Infidels<\/em><\/h4>\n

Bob Dylan<\/h4>\n

Released in Oct. 1983<\/h4>\n

After several religiously themed albums, Bob Dylan returned to more secular topics on Infidels<\/em>. Produced by Dire Straits lead man, Mark Knopfler and assisted by Mick Taylor (ex-Rolling Stones) on guitar and Sly and Robbie (Dunbar and Shakespeare, from the Wailers) on bass and drums, Infidels<\/em> sees Dylan\u2019s sound become more polished and layered than recent efforts, and exploring more universal themes. The first song on the album is the incredibly powerful \u201cJokerman\u201d. The lyrics are complex and the vocals weave effortlessly through the multiple storylines and scenarios:<\/p>\n

\u201cStanding on the waters casting your bread<\/p>\n

While the eyes of the idol with the iron head are glowing<\/p>\n

Distant ships sailing into the mist,<\/p>\n

You were born with a snake in both of your fists while a hurricane was blowing<\/p>\n

Freedom just around the corner for you<\/p>\n

But with the truth so far off, what good will it do?\u201d<\/p>\n

While the album contains many quality songs, \u201cJokerman\u201d is truly a standout. A must listen.<\/p>\n

Location<\/strong>: Smith Library 1st Floor – Media Library – LP Collection \/ Dylan B Columbia QC38819<\/u><\/p>\n

 <\/p>\n

-Blog post by Bob Fitzgerald, Reference & Interlibrary Loan Librarian<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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